Review: A Christmas Carole Peterson

Arthur DormanTalkin' Broadway

December 6, 2016

Carole Peterson is an irrepressibly positive woman who finds the good in everyone and every situation, and makes darn sure that everyone in her family does the same. At least, that is the image Tod Peterson creates of his mother in A Christmas Carole Peterson. With Peter Rothstein, Peterson assembled this memoir of his mother's role as ringmaster of the family Christmas at their home in Mankato, Minnesota. The show, which blends Tod's narration with songs performed by three singers, or "Carolettes", was first mounted in 2000 by Theater Latté Da, and returned as a much loved holiday offering through 2008. After an eight year hiatus, Tod has brought his Mom back to delight old friends and fans, and give new audiences a chance to get in on the fun.

Tod Peterson appears as himself, but at times impersonates his mother Carole as well. The other family members—Tod's father, older brother, and two younger sisters—mainly are present by way of Tod's account of holidays gone by. Using the classic family Christmas letter, accounting for the highlights of each family member's year gone by, read by Tod in his Carole Peterson impersonation, we are able to mark the passage of years. In the first letter, Carole announces the arrival of baby Tod in 1958. Anyone familiar with these holiday missives (and who is not?) will smile broadly at the insistently upbeat news, in which each child has spent the past year developing one of their many interests to great success. Not bragging—at least not intentionally—but wanting to share the pride and joy their children give with their extended family and friends. No need for pesky details of struggles or disappointments.

Tod shares his journey, through the loving eyes of his mother, from his first acting role as one of Ebenezer Scrooge's childhood classmates in a community theater Christmas Carol, to his childhood best friend Maura Maisel, and his role as the family "entertainer," his suspicions over the truth about Santa Clause and disappointment in the church, especially in relation to his identity as a gay man, and his early adult efforts to find success in his acting career and in love. Carole always sought a way to put a happy spin on his hardships, no matter how much that grated on Tod.

The show is a fast-moving 85 minutes, with an intermission, with the Carolettes—performed by Ryan Lee, Sara Ochs and Dominque Wooten—entering after each episode of Tod's narration with a song that suits the Peterson saga. When the family is temporarily living in Hawaii, we are treated to "Mele Kalikamaka" and "Christmas Island." To celebrate Carole's job at the International Students Office of Mankato State University, we are feted with "Feliz Navidad." A particularly droll sequence depicts the Peterson family's annual caroling, singing a song with each of their neighbors—including an African American, a Japanese, and a Jewish family—in mind. There is also a tremendous "Partridge Family" send-up, going back to days of yore when Tod imagined himself David Cassidy and his friend Maura was Susan Dey. Bring on the tambourines!

The Carolettes, each a singer-actor, also perform, as soloists, songs that reflect on Tod's feelings, especially after leaving his childhood home in pursuit of his own home as an adult, songs that express longing, tenderness and hope. These include beautiful renditions of "Please Come Home for Christmas" sung by Dominque Wooten, "River" and "I'll Be Home for Christmas" sung by Ryan Lee, and "Christmas Eve" sung by Sara Ochs. Ms. Ochs also performs a comically manic number written by Peterson, "Christmas Vacation," that rails against the holiday hubbub. Tod himself sings "Our First Christmas," which tenderly recollects sharing the holidays with a new love. Adding mightily to the entire piece is music director Denise Prosek, on stage throughout, on piano.

Peter Rothstein clearly has tremendous affinity for this piece, and his direction maintains the show's affection for the people and times it portrays. He puts the cast through good-humored paces as they perform some of the campier musical numbers, while bringing out the heart in the more reflective songs. Michael Hoover's setting resembles a late 1950s department store salon, decked out for the holidays with wreaths, trees and greenery. Rich Hamson's costumes have the players tastefully dressed in holiday colors (nothing garish), and Mary Shabatura's lighting helps to create the various feelings emitted from Tod's reminiscence.

A Christmas Carole Peterson is more than one man's good-humored fan letter to his mom, and to the benefits (albeit, not always easy to accept) of unconditional acceptance and love. For anyone who has a warm spot in their heart for the heightened feelings the holidays brought to their childhoods—whatever holidays those might be—the show offers a warm embrace that tells us, even if we can never return there, "there's no place like home for the holidays." We can laugh anew at the old frolics, shed a tear for what is no more, and feel the surging warmth of a past that lives still within us.

A Christmas Carole Petersoncontinues through December 23, 2016, at the Ritz Theater, 345 13th Avenue NE, Minneapolis, MN. Tickets: $35.00 - $48.00. For tickets call 612-339-3303 or go to theaterlatteda.com.

Written by: Tod Peterson and Peter Rothstein; Director: Peter Rothstein Music Director: Denise Prosek; Set Design: Michael Hoover; Costume Design: Rich Hamson; Lighting Design: Mary Shabatura; Sound Design and Engineer: Kevin Springer; Properties Master: Abbee Warmboe; Technical Director: Stein Rosburg; Stage Manager: Tiffany K. Orr; Assistant Director: Emily England; Assistant Stage Manager: April Harding.

Cast: Ryan Lee (Carolette), Sara Ochs (Carolette), Tod Peterson (himself), Dominque Wooten (Carolette)

Latte Da's 'Christmas Carole Petersen' wishes us a happy holiday, sincerely

Graydon RoyceStar Tribune

December 4, 2016

When a paean to nostalgic Christmas memories becomes the piece of nostalgia itself, you know you're getting old.

Around the turn of the century, Tod Petersen put together a charming, campy and funny homage to his mother, his family traditions and his own journey from the high of his childhood role in "A Christmas Carol" to the low of feeling alienated from all things Yule.

Petersen first staged "A Christmas Carole Petersen" in 2000 with Peter Rothstein's direction at the now-defunct Loring Playhouse. It ran in that intimate setting for several years before moving to the Ordway's Mc­Knight Theatre (also no longer there) in 2007 and 2008.

After eight years of absence, Petersen, Rothstein, music director Denise Prosek and a new group of "Carolettes" have revived the show in Theater Latté Da's new permanent home, the Ritz, in northeast Minneapolis.

Petersen is not the lanky whip with the snarky sense of humor — well, the humor is still there, but he's thicker in his face and thinner in his hair. It has been 16 years since he wrote a show that reflected his mood about Christmas — a moment of the year that can often define our relationships with our families, the world and ourselves.

So it was natural to wonder if Petersen and his mates could rediscover the magic that made this a small but quite popular Christmas entertainment.

Indeed, at Saturday's opening it took a moment to reacquaint ourselves with the awe-filled 5-year-old who got his first role in the Mankato Community Theater's production of "A Christmas Carol."

"Little Toddy" was just crushed when he walked into an empty school auditorium on the first night of rehearsal. Why wasn't everyone wearing costumes (Scrooge was in cowboy boots!)? Where was the Victorian street scene, the snow falling? Why were actors reading from scripts; didn't they know their lines?

Petersen hit his stride with timeless stories — none more beautiful than the remembrance his mother must have told him about her childhood Christmas on the Nebraska prairie. In another vignette, Petersen tells of coming home to his Chicago apartment late one frosty Christmas night, seeing his sleeping partner and two cats on the bed and feeling for the first time in years that he was really home.

He can still make us weepy with the earnest sincerity he always has worn on his sleeve.

The Carolettes and Prosek provide beautiful music for this cabaret. Ryan Lee, Sarah Ochs and Dominique Wooten are all accomplished singers and the selections are a nice mix of the obscure and familiar.

Welcome back, Tod. Your story is worth telling and it is worth seeing again. And if you've never seen it, it's all new.

Graydon Royce is a longtime Star Tribune journalist and critic. Reach him at roycegraydon@gmail.com.

Guide to Twin Cities 2016 Holiday Shows

Quinton SkinnerMinnesota Monthly

November 2016

There are so many holiday-themed shows each year in the Twin Cities that it can be daunting to keep track of them all—much less decide which to take in to burnish that end-of-year glow. Here are a few of the best to help you fill your entertainment dance card.

Old Faithful

A Christmas Carol

Scrooge’s journey from humbug to redemption goes down with the familiar sweetness of a glass of eggnog—and while it’s never going to surprise, J.C. Cutler as Ebenezer sells his character with heartfelt distinction. • Guthrie Theater, through 12/30, guthrietheater.org

Timeless Treasure

Black Nativity

Penumbra’s own reliable standard serves up Langston Hughes’s story about holiday heartbreak and community with enough power to evoke bittersweet tears; with choreography by Uri Sands, a full choir, and sharp performances, it’s an emotional journey that’s become a tradition for good reason. • Penumbra Theatre, 12/1–23, penumbratheatre.org

Snow Globe

Irving Berlin’s White Christmas

This musical with big dance numbers is based on the classic film, with let’s-put-on-a-show repartee and easy charm amid classic tunes such as “Blue Skies,” “I Love a Piano,” and the title song that made Bing Crosby a Yuletide immortal. • Ordway Center for Performing Arts, 12/8–31, ordway.org

Let It Ring

A Christmas Celebration with The Steeles

Among the all-time greats of Minnesota stages and concert halls, siblings J.D., Fred, Jearlyn, Jevetta, and Billy are a transcendent powerhouse when they get together—this show returns after a seven-year hiatus to bring sounds both secular and sacred. • Fitzgerald Theater, 12/9–10, publicradio.org

All About Family 

A Christmas Carole Petersen

Actor and storyteller Tod Petersen mines memories of the holidays with his family in Mankato for this funny-because-it’s-true look at how the season brings out our best as well as our… less than best. • Ritz Theater, 11/30–12/23, theaterlatteda.com

Visions of Sugarplums

Loyce Houlton’s Nutcracker Fantasy

Entering its second half-century, this extravaganza teams up more than 150 dancers and other artists in a fairytale journey with all ages represented onstage as well as in the audience. • State Theatre, 12/16–23, hennepintheatretrust.org

Earning Wings 

It’s a Wonderful Life: Live in Concert

It’s easy to forget that the 1946 film starring James Stewart wasn’t much of a success in its day, and didn’t really become a holiday standard until the 1980s—it’s also easy to argue that its sharp sensibility was ahead of its time, and that we’re more in need of happy endings than ever. The Minnesota Orchestra accompanies the movie with Dimitri Tiomkin’s score. • Orchestra Hall, 12/17–18, minnesotaorchestra.org

Pass the Eggnog

What the Elf?

The Brave New Workshop’s annual holiday revue sums up the year that was with laughs and hopefully the spirit of reconciliation that accompanies the best holiday seasons—they’re saying we should bring the family members with whom we’ve been vehemently disagreeing all year on Facebook. • Brave New Workshop, 11/11–1/28/17, bravenewworkshop.com

Going out: A dozen sure bets for the holiday season

Pamela EspelandMinnPost

November 23, 2016

For your Thanksgiving weekend pleasure: our holiday dozen. Twelve sure bets for the season. Many are classics, but there’s a reason for that: They work, and people want to see them again and again. (Congrats to the New Standards on their tenth year.) This won’t be our last word on holiday shows, but it’s a good start, and you might want to peruse this list over leftovers and score some tickets.

At the Guthrie: “A Christmas Carol.” A Twin Cities tradition for 42 years. The story never gets old, and neither does the production, refreshing itself often enough to keep things interesting. Joe Chvala directs; J.C. Cutler returns as Scrooge. Ends Dec. 30. FMI and tickets ($17-137).

At Penumbra Theatre: “Black Nativity.” We’ve seen a few different presentations of Langston Hughes’ song-play, and this is the one we love best: the concert version, straightforward and so powerful. Lou Bellamy narrates; Dennis Spears and Jamecia Bennett sing (do they ever!), with the mighty Fellowship Missionary Baptist Church Choir; Sanford Moore provides musical direction. New this year: dancing and footwork choreographed by Uri Sands of TU Dance. Dec. 1-23. FMI and tickets ($15-40).

At the Ritz Theater: Theater Latté Da: “A Christmas Carole Petersen.” It’s been eight years since we’ve had the chance to laugh along with Tod Petersen’s stories about his family Christmases in Mankato and his mom, Carole. This is the welcome return of a funny, feel-good show. Written by Petersen and Peter Rothstein, directed by Rothstein. Through Dec. 23. FMI and tickets ($30-45).

At the Mill City Museum: “An Eventually Christmas: Holidays at the Mill.” The Ghost of Mill City Past is your guide in a play set in the museum’s Flour Tower elevator ride. Scenes from the 1920 Washburn Crosby holiday party unfold on different floors. Dec. 15-17, shows at 6, 7 and 8 p.m. FMI and tickets ($10-14).

At the O’Shaughnessy: St. Paul Ballet: “Clara’s Dream from The Nutcracker.” Zoë Emilie Henrot’s re-imagining of the holiday chestnut (so to speak) makes Clara the star of a “magical mystery tour” from adolescence to adulthood. With 100 dancers, elaborate costumes by Christina Onusko, new scenery for the opening set (the party scene) by Anne Henley, and a just-right length (90 minutes), this is a perfect holiday outing for all ages. 7:30 p.m. Friday, Dec. 2 and Saturday, Dec. 3; 2 p.m. Sunday, Dec. 4. FMI and tickets($19-32).

At the Basilica of St. Mary and the Ordway Concert Hall: The Saint Paul Chamber Orchestra: Handel’s “Messiah.” English conductor Paul McCreesh will lead the SPCO, the Minnesota Chorale and soloists in Handel’s great masterpiece. 8 p.m. Friday, Dec. 16, at the Basilica; 9 p.m. Saturday, Dec. 17 and 2 p.m. Sunday, Dec. 18 at the Concert Hall. FMI and tickets ($15-53).

In Apple Valley, Roseville and Minneapolis: VocalEssence: Welcome Christmas. Each year, VocalEssence gives us something new and unexpected for Christmas: a world premiere commission, or a special piece of holiday music we haven’t heard before. This year it’s Conrad Sousa’s “Carols & Lullabies,” a lovely, luminous setting of the Christmas story that weaves in music of Mexico and the American Southwest, accompanied by harp, marimba and guitar. The concert also includes the 2016 Welcome Christmas Carol Contest winners by Sean Sweeden and Lee Blaske. 7:30 p.m. Dec. 3 at Shepherd of the Valley Lutheran Church, 7:30 p.m. Dec. 9 at Roseville Lutheran Church, 4 p.m. Dec. 10 and 11 at Plymouth Congregational Church. FMI and tickets ($20-40).

At Orchestra Hall: “Jingle Bell Doc.” The Minnesota Orchestra’s pops conductor laureate, Doc Severinsen turned 89 in July, but you can’t tell by seeing him strut across the stage in his outrageously loud jackets, or hearing him blow the trumpet like a man half his age. Severinsen will lead the Orchestra, the Minnesota Chorale, vocalists, a rhythm section (with Mary Louise Knutson on piano) and a handbell ensemble in a spirited program of holiday faves. 8 p.m. Friday, Dec. 16 and 1 p.m. Saturday, Dec. 17. FMI and tickets ($30-75).

At the State Theatre: The New Standards Holiday Show. Now in its 10th year, this annual event starring the jazzy Standards – Chan Poling, John Munson and Steve Roehm – has always been a spectacle, and it’s always been a blast. Per usual, there will be a large supporting cast and a stellar lineup of surprise guests. 8 p.m. Friday and Saturday, Dec. 2 and 3, plus an all-ages 2 p.m. Saturday matinee. FMI and tickets ($25-100).

At the Ordway: “A Darlene Love Christmas: Love for the Holidays.” Rock & Roll Hall of Famer, hitmaker and music icon Darlene Love has been a star for more than 50 years, from the girl-group heydays to her time as an in-demand back-up singer and the present, when she’s currently on a tour schedule so fierce it would exhaust most 20-year-olds. Of course she’ll sing “Christmas (Baby Please Come Home).” 7:30 p.m. Wednesday, Nov. 30. FMI and tickets ($38-111.50).

At Crooners in the Dunsmore Room: Christmas with Joey D. Hammond B-3 organ master Joey DeFrancesco gave a knock-out, sold-out show here in September, called the Dunsmore Room his favorite place on the planet and promptly booked a pair of return dates. With Dan Wilson on guitar, Jason Brown on drums, he’ll set his favorite holiday tunes on funky fire. Dec. 5-6, sets at 7 and 9 p.m. FMI and tickets ($25-40; $75 dinner show).

At Union Depot: Canadian Pacific Holiday Train. Over 750 feet of steel, diesel and twinkling lights, the CP Holiday Train will roll through St. Paul for a good cause: benefiting Merrick Community Services Food Shelf in St. Paul. Lit up for Christmas, it will stop at the Depot for a live concert by Juno Award-winning singer-songwriter Colin James and Canadian country singer Kelly Prescott. (The stage is a car on the train--cool!) Friday, Dec. 9. Free or $5 VIP tickets (proceeds go to the food shelf), but please bring a heart-heathy food donation. General admission opens at 5 p.m. Train arrival at 7:15 p.m., concert at 7:30, train departure at 8:10. FMI (be sure to read this).

AFTER AN EIGHT-YEAR HIATUS, THE ORIGINAL WORK A CHRISTMAS CAROLE PETERSEN RETURNS TO THEATER LATTÉ DA

FOR IMMEDIATE RELEASEOctober 25, 2016 Contact: Seena Hodges seena@latteda.org 612-767-5646 office

CAROLE’S BACK… AND SHE’S READY TO DECK THE HALLS!

 AFTER AN EIGHT-YEAR HIATUS, THE ORGINAL WORK A CHRISTMAS CAROLE PETERSEN RETURNS TO THEATER LATTÉ DA

This hilarious holiday production features Tod Petersen; along with Ryan Lee, Sara Ochs, and Dominique Wooten.

CLICK HERE FOR PHOTOS

Performances begin November 30 at the Ritz Theater in NE Minneapolis.

 Single tickets are on sale now at latteda.org or 612-339-3003.

(Minneapolis/St. Paul) Theater Latté Da today announced casting for the long-awaited return of the highly-celebrated original work A CHRISTMAS CAROLE PETERSEN. After an eight-year hiatus, this homegrown holiday comedy returns to the delight of audiences everywhere. Written by Tod Petersen and Theater Latté Da Artistic Director Peter Rothstein, A CHRISTMAS CAROLE PETERSEN has been hailed “a stunning triumph,” “a yuletide must,” and “laugh-out-loud funny.” Rothstein will direct with Denise Prosek as music director. Performances begin November 30 at the Ritz Theater (345 13^th Avenue NE in Minneapolis). Single tickets and season subscriptions can be purchased at latteda.org or by calling 612-339-3003.

Carole’s back… and she’s ready to deck the halls!  There’s no denying the power of the holidays to bring out the best and worst in all of us. Acclaimed storyteller Tod Petersen reflects on the yuletide season with his family in Mankato, Minnesota, and pays particular tribute to the show’s namesake—his mother Carole.

On the autobiographical musical Petersen offers, “In the eight years since we last performed A Christmas Carole Petersen, I have never stopped hearing people say they wish the production would return because it was such a big part of their holiday tradition. I have also heard people who never saw it say they were sorry they missed it!” He continues, “I am happy to share my stories and hopefully bring some laughs and music and memories to the Theater Latté Da audiences—old and new.”

The production combines comedic monologues and covers of classic holiday songs and features Tod Petersen (Theater Latté Da: GYPSY!, A Christmas Carole Petersen, Parade, A Man of No Importance) as himself and other members of his Mankato community. Petersen is currently playing “Mature Bobby” in the History Theatre production of Teen Idol: The Bobby Vee Story; and he recently portrayed “The Man in Chair” in Artistry’s production of The Drowsy Chaperone. The cast also includes a trio called “The Carolettes” portrayed by Sara Ochs, who was lauded for her riveting turn as “The Beggar Woman” in Theater Latté Da’s production of Sweeney Todd: The Demon Barber of Fleet Street; Dominique Wooten, who was also seen in Theater Latté Da’s production of Sweeney Todd as the corrupt Beadle Bamford; and singer-songwriter Ryan Lee, who recently appeared as Woody Guthrie in Woody Guthrie’s American Song at the Commonweal Theatre, in his Theater Latté Da debut.

Theater Latté Da is an award-winning Twin Cities musical theater company that combines music and story to illuminate the breadth and depth of the human experience. The company seeks to create new connections between story, music, artists, and audience by exploring and expanding the art of musical theater.  latteda.org

FACT SHEET:

A Christmas Carole Petersen

Written by: Tod Petersen and Peter Rothstein Directed by: Peter Rothstein Music Direction by: Denise Prosek Featuring: Tod Petersen, Ryan Lee, Sara Ochs, and Dominique Wooten

Dates: Wednesday, November 30 – Friday, December 23, 2016

Venue: Ritz Theater (345 13th Avenue NE, Minneapolis MN 55413)

Carole’s back… and she’s ready to deck the halls!  The celebrated holiday comedy returns after an eight-year hiatus. There’s no denying the power of the holidays to bring out the best and worst in all of us. Acclaimed storyteller Tod Petersen reflects on the yuletide season with his family in Mankato, Minnesota, and pays particular tribute to the show’s namesake—his mother Carole. Join us for the long-awaited return of this hilarious and heartwarming Theater Latté Da original.

Performance Dates and Times:

Wednesday, November 30 at 7:30 pm (Preview)

Thursday, December 1 at 7:30 pm (Preview)

Friday, December 2 at 7:30 pm (Preview)

Saturday, December 3 at 7:30 pm (Opening Night)

Sunday, December 4 at 2:00 pm (Director’s Dialogue)

Sunday, December 4 at 7:00 pm

Wednesday, December 7 at 7:30 pm

Thursday, December 8 at 7:30 pm (Post-show Discussion)

Friday, December 9 at 7:30 pm

Saturday, December 10 at 7:30 pm

Sunday, December at 2:00 pm (Post-show Discussion)

Sunday, December 11 at 7:00 pm

Wednesday, December 14 at 7:30 pm

Thursday, December 15 at 7:30 pm (Post-show Discussion; ASL/AD)

Friday, December 16 at 7:30 pm

Saturday, December 17 at 7:30 pm

Sunday, December 18 at 2:00 pm (Post-show Discussion)

Sunday, December 18 at 7:00 pm

Tuesday, December 20 at 7:30 pm

Wednesday, December 21 at 7:30 pm

Thursday, December 22 at 7:30 pm (Post-show Discussion)

Friday, December 23 at 7:30 pm

###

Theater Latté Da announces a talent-packed line-up of adventurous musical theater for its 19th season

For Immediate ReleaseJune 13, 2016 Contact: Seena Hodges seena@latteda.org 612-767-5646 office

Theater Latté Da announces a talent-packed line-up of adventurous musical theater for its 19^th season

Featuring an epic Broadway musical; the long-awaited return of a holiday favorite; the tenth anniversary of an original holiday classic; a wildly imaginative musical comedy; and a riveting drama underscored with live music.

Highlights of the 2016-17 season include Traci Allen Shannon and David Murray in their Theater Latté Da debuts in the roles of Sarah and Coalhouse Walker, Jr. in Ragtime; Tod Petersen’s triumphant return to his hilarious, autobiographical holiday favorite; local phenom Tyler Michaels as Peter, The Boy Who Would Not Grow Up, in Peter and the Starcatcher directed by award-winning director and scenic designer Joel Sass; and Mark Benninghofen and Sally Wingert reunite in a dramatic turn as Flan and Ouisa Kittredge in Six Degrees of Separation.

Season subscriptions are on sale now and can be purchased at latteda.org/subscribe or by calling 612-339-3003.

(Minneapolis/St. Paul) On the heels of another highly successful season, Theater Latté Da today announced a talent-packed line-up of adventurous musical theater for its 19th season. The season features an epic Broadway musical, the long-awaited return of a holiday favorite, a wildly imaginative musical comedy, and a riveting drama underscored with music. The season also includes the tenth anniversary of the holiday classic All is Calm: The Christmas Truce of 1914 and The NEXT Festival, Theater Latté Da’s rigorous new work initiative committed to developing the next generation of the American Musical Theater. Season subscriptions are on sale now and can be purchased at latteda.org/subscribe or by calling 612-339-3003. All single tickets will be made available at a later date.

Season 19 begins with Terrence McNally, Stephen Flaherty, and Lynn Ahrens’ epic musical Ragtime. Based on E.L. Doctorow's landmark novel, Ragtime is set in the volatile melting pot of New York City. It's the turn-of-the-century, everything is changing and anything is possible. Three distinctly American stories are woven together—a determined Jewish immigrant, a daring Harlem musician, and a stifled woman of privilege united by their courage, compassion and belief in a better tomorrow. Together they confront what it means to be an American at the dawn of a new century. Nominated for 13 Tony Awards, the musical received awards for Best Book and Best Score.

Directed by Peter Rothstein, Ragtime features an extraordinarily talented cast. Sasha Andreev will play the role of the widower Tateh. Andreev previously appeared in the world premiere of Theater Latté Da’s Steerage Song and was most recently seen in the one-man show Buyer and Cellar at the New Century Theatre. Britta Ollmann will play the role of Mother. Ollmann was most recently seen as Cinderella in Theater Latté Da’s Into the Woods and was lauded for her performance as Sister Mary Robert in Sister Act at Chanhassen Dinner Theatres. Making their Theater Latté Da debuts are David Murray and Traci Allen Shannon in the roles of Coalhouse Walker, Jr. and Sarah. Murray was most recently seen as Flick in Yellow Tree Theatre’s production of Violet. Shannon is an acting company member at the Children’s Theatre Company having appeared in a myriad of productions including Cinderella, Lizzie Bright and the Buckminster Boy, Five Fingers of Funk, and Bud, Not Buddy.

Theater Latté Da Resident Music Director Denise Prosek and Choreographer Kelli Foster Warder, who served as Assistant Choreographer on Cabaret and OLIVER!, join Rothstein as members of the creative team. Rothstein offers, “Ragtime is as timely and relevant as ever; it explores how we define ourselves as a nation in terms of who we are and what we wish to become.” He continues, “Doctorow’s poignant story is enhanced by Ahrens and Flaherty’s glorious score—one of the most sophisticated and lush in all of musical theater.”

TIME magazine calls Ragtime, “A triumph for the stage.”  Ragtime is in performance September 21 – October 23, 2016 at the Ritz Theater (345 13^th Avenue NE, Minneapolis MN 55413). The second production in the season is the long-awaited return of the hilarious and charming A Christmas Carole Petersen by Tod Petersen and Peter Rothstein. The celebrated holiday comedy returns after a seven-year hiatus. There's no denying the power of the holidays to bring out the best and worst in all of us. Acclaimed storyteller Tod Petersen reflects on the yuletide season with his family in Mankato, Minnesota, and pays particular tribute to the show's namesake—his mother Carole.

Peter Rothstein directs with Denise Prosek as musical director. On the return of the piece, Petersen offers, “I'm very excited to give A Christmas Carole Petersen another run. In the seven years since we last performed it, I've never stopped hearing people say they wish it would return because it was such a big part of their holiday tradition. I am just happy to share my stories and hopefully bring some laughs, music, and memories to Theater Latté Da audiences—old and new!”

The St. Paul Pioneer Press calls A Christmas Carole Petersen "a stunning triumph!” The production is in performance November 30 – December 23, 2016 at the Ritz Theater (345 13^th Avenue NE, Minneapolis MN 55413). The third production in the season is Rick Elice and Wayne Barker’s wildly imaginative play with music Peter and the Starcatcher—a daring Peter Pan prequel for grown-ups. Based on the bestselling novel by Dave Barry and Ridley Pearson, this fantastical comedy explores how a Victorian street urchin ultimately becomes The Boy Who Would Not Grow Up.

Award-winning Director and Scenic Designer Joel Sass helms this story of unbreakable friendship that places child-like wonder at the heart of grown-up theater. Featuring nine actors portraying more than 100 unforgettable characters, Peter and the Starcatcher uses ingenious stagecraft and the limitless possibilities of imagination to bring the story to life.

Twin Cities and Theater Latté Da favorite Tyler Michaels takes on the role of Peter Pan. Michaels is best known for his turn as the Emcee in Theater Latté Da and Hennepin Theatre Trust’s lauded production of Cabaret and for his work as the sweet-faced, unwitting accomplice Toby in last season’s production of Sweeney Todd: The Demon Barber of Fleet Street. Celebrated character actor Robert Berdahl makes his Theater Latté Da debut in the role of Black Stache. Berdahl is known to Twin Cities’ audiences for his work at the Guthrie Theater and is currently playing the role of The Beast in Beauty and the Beast at Chanhassen Dinner Theatres. The production also features music direction by Denise Prosek and choreography by Black Label Movement Artistic Director Carl Flink.  On this production Rothstein offers, “I’m thrilled to have my longtime friend and colleague Joel Sass direct his first show for Theater Latté Da. His fierce imagination is a perfect match for Elice and Barker’s highly theatrical, whimsical voyage.” Winner of five Tony Awards, Peter and the Starcatcher is a theatrical tour de force. Entertainment Weekly calls the musical "an absurdly funny fantastical journey." Peter and the Starcatcher is in performance February 1 – February 26, 2017, at the Ritz Theater (345 13th Avenue NE, Minneapolis MN 55413).

The final production in the mainstage season is John Guare’s biting, tragicomedy Six Degrees of Separation. Peter Rothstein directs a stellar cast of actors and musicians who inhabit and underscore Guare’s riveting drama.

Paul, a young black man, convinces Flan and Ouisa Kittredge—part of the New York elite—into thinking he is the son of Sidney Poitier. Enraptured by his intellect and charm, the couple invite him to stay the night. However, Paul's ruse is soon undone leading to discoveries which leave them all forever changed. Nominated for four Tony awards, Six Degrees of Separation is a singular tragicomedy on race, class and manners. Inspired by the real-life con artist David Hampton, this witty and sincere social commentary wrestles with the human desire for meaningful connection.

Twin Cities’ favorites Mark Benninghofen and Sally Wingert team up once again to take on the dynamic roles of Flan and Ouisa Kittredge. Benninghofen and Wingert are known to audiences for their delicious roles of the vengeful barber Sweeney Todd and the resourceful pie shop proprietress Mrs. Lovett in last season’s production of Sweeney Todd. Wingert previously appeared with the company as the caustic, no-nonsense Maria Callas in the critically acclaimed production of Terrence McNally’s Master Class. Rothstein offers, “I cannot wait to join forces once again with powerhouses Mark Benninghofen and Sally Wingert—and on Six Degrees of Separation, no less. It’s my absolute favorite American plays.” He continues, “Having the actors provide live musical underscore to Guare’s genius play will offer audiences a truly unique theater-going experience.”

The New York Times calls Six Degrees of Separation, "a hilarious and searing panorama of urban America in precisely our time." This drama underscored with music is in performance March 8- April 9, 2017 at the Ritz Theater (345 13th Avenue NE, Minneapolis MN 55413)

Subscribers can add-on two offerings in the 2016-17 season.  All is Calm: The Christmas Truce of 1914 and the NEXT Festival.

This season, Theater Latté Da and Hennepin Theatre Trust have been working toward a remount of Theater Latté Da’s 2015 critically-acclaimed production of Sweeney Todd: The Demon Barber of Fleet Street. In working to produce the remount, the project encountered a series of challenges. Both arts organizations decided that it would be best not to move forward with the production at this time. We are disappointed; however, we both remain enthusiastic about future partnerships.

To that end, Theater Latté Da has again partnered with Hennepin Theatre Trust to present the tenth anniversary production of the classic holiday favorite All is Calm: The Christmas Truce of 1914 by Peter Rothstein. This moving piece recreates an astounding moment in history when Allied and German soldiers laid down their arms to celebrate the holiday together by trading carols, sharing food and drink, playing soccer and burying the dead. This dramatic re-telling contains poetry, diary entries, war documents and letters written by thirty World War I figures brought to life by 12 actor/singers. The historic documents are interspersed with iconic World War I songs and European carols, exquisitely arranged by Erick Lichte and Timothy C. Takach. Lichte, who was founding artistic director of the vocal ensemble Cantus, returns to the Twin Cities to serve as music director for this production. The production features the talents of Michael Gruber, Jim Ramlet, Evan Tyler Wilson, and Max Wojtanowicz.

Critics have called All is Calm “A dramatic, real-life musing about the power this season has to make us stop, reflect, and decide to operate in a mode of peace” and “A work of beauty...not only an outstanding piece of musical theater, but a brilliantly executed production that understands that its power comes from its simplicity.” Performances of All is Calm begin December 15 and continue through the 18 at the Pantages Theatre (710 Hennepin Avenue Minneapolis, MN).

Season 19 concludes with the fifth year of the NEXT Festival. The Festival is Theater Latté Da’s investment in the future of the great American Musical and its playwrights, composers and lyricists. Rothstein notes, “I believe audiences can play a vital role in the development process and our NEXT Festival provides them the unique opportunity to get in on the ground floor of the creative process.” Past projects include: Lullaby by Michael Elyanow; C. by Bradley Greenwald and Robert Elhai; The Illyria Project by Jackson Doran and Postell Pringle; The Last Queen of Canaan by Harrison David Rivers, Jacob Yandura, and Rebecca Melocik; and Stu for Silverton by Peter Duchan, Breedlove, and Will Reynolds. Staged readings of the new musicals will be performed in Spring 2017. Show titles and venues will be announced at a later date.

Theater Latté Da is an award-winning Twin Cities musical theater company that combines music and story to illuminate the breadth and depth of the human experience. The company seeks to create new connections between story, music, artists and audience by exploring and expanding the art of musical theater.  latteda.org Season at-a-Glance

Ragtime Book by Terrence McNally Music by Stephen Flaherty Lyrics by Lynn Ahrens Based on the novel “Ragtime” by E. L. Doctorow Directed by Peter Rothstein Music Direction by Denise Prosek Choreography by Kelli Foster Warder Featuring: Sasha Andreev, David Murray, Britta Ollmann, and Traci Allen Shannon

Performance Dates: September 21 – October 23, 2016 Venue: Ritz Theater (345 13^th Avenue NE, Minneapolis MN 55413)

It's the turn-of-the-century, everything is changing and anything is possible. Based on E.L. Doctorow's landmark novel, Ragtime is set in the volatile melting pot of New York City. Three distinct American stories are woven together—a determined Jewish immigrant, a daring Harlem musician, and a stifled woman of privilege united by their courage, compassion and belief in a better tomorrow. Together they confront what it means to be an American at the dawn of a new century. With a compelling book by Terrence McNally and a glorious score by Stephen Flaherty and Lynn Ahrens, Ragtime was nominated for 13 Tony Awards and was awarded Best Book and Best Score.

A Christmas Carole Petersen Written by Tod Petersen and Peter Rothstein Directed by Peter Rothstein Music Direction by Denise Prosek

Featuring: Tod Petersen Performance Dates: November 30 – December 23, 2016 Venue: Ritz Theater (345 13^th Avenue NE, Minneapolis MN 55413)

Carole's back, and she's ready to deck the halls! The celebrated holiday comedy returns after an eight-year hiatus. There's no denying the power of the holidays to bring out the best and worst in all of us. Acclaimed storyteller Tod Petersen reflects on the yuletide season with his family in Mankato, Minnesota, and pays particular tribute to the show's namesake—his mother Carole. Join us for the long-awaited return of this hilarious and heartwarming Theater Latté Da original.

All is Calm: The Christmas Truce of 1914 Written by Peter Rothstein Musical Arrangements by Erick Lichte and Timothy C. Takach Directed by Peter Rothstein Music Direction by Erick Lichte

Featuring: Michael Gruber, Jim Ramlet, Evan Tyler Wilson, and Max Wojtanowicz. Performance Dates: December 15 –  December 18, 2016 Venue: Pantages Theatre (710 Hennepin Ave, Minneapolis, MN 55402)

Don't miss the tenth anniversary of this award-winning, Theater Latté Da original that has been seen and heard around the globe. This moving work captures an astounding moment in history when Allied and German soldiers laid down their arms to celebrate the holiday together by trading carols, sharing food and drink, playing soccer and burying the dead. Poetry, diary entries, official war documents and letters home are woven together with iconic World War I songs, patriotic tunes and European Christmas carols to create a truly unique and profound theatrical event.

Peter and the Starcatcher Written by Rick Elice Based on the Novel by Dave Barry and Ridley Pearson Music by Wayne Barker Directed by Joel Sass Music Direction by Denise Prosek Choreography by Carl Flink

Featuring: Tyler Michaels and Robert Berdahl

Performance Dates: February 1 – February 26, 2017 Venue: Ritz Theater (345 13^th Avenue NE, Minneapolis MN 55413)

Let your imagination soar in this swashbuckling Peter Pan prequel for grown-ups. Based on the bestselling novel, this fantastical comedy explores how a Victorian street urchin ultimately becomes The Boy Who Would Not Grow Up. Follow the nameless orphan and his ambitious friend Molly as they protect the world from a greedy band of pirates. Winner of five Tony Awards, Peter and the Starcatcher is a theatrical tour de force! Award-winning director and scenic designer Joel Sass helms this wildly imaginative story of unbreakable friendship that places child-like wonder at the heart of grown-up theater.

Six Degrees of Separation Written by John Guare Directed by Peter Rothstein

Featuring: Mark Benninghofen and Sally Wingert

Performance Dates: March 8 – April 9, 2017 Venue: Ritz Theater (345 13^th Avenue NE, Minneapolis MN 55413)

Peter Rothstein directs a stellar cast of actors and musicians who inhabit and underscore John Guare’s riveting drama. Paul, a young black man, convinces a wealthy New York couple Ouisa and Flan Kittredge into thinking he is the son of Sidney Poitier. Enraptured by his intellect and charm, the couple invite him to stay the night. However, Paul's ruse is soon undone leading to discoveries which leave them all forever changed. Nominated for four Tony awards, Six Degrees of Separation is a singular tragicomedy on race, class and manners. Inspired by the real-life con artist David Hampton, this witty and sincere social commentary wrestles with the human desire for meaningful connection. NEXT Festival

Performance Dates: Spring 2017

Venue: TBD

NEXT is Theater Latté Da's New Work Festival showcasing three works that stretch the boundaries of musical storytelling. Each show in the Festival receives three public performances providing audience members the opportunity to “get in on the ground floor” of the creative process. Following each performance is an in-depth conversation with the playwrights, composers and lyricists. Be a part of Theater Latté Da's commitment to the next generation of the Great American Musical.

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Theater Latté Da opens Season 19 with McNally, Flaherty, and Ahrens’ epic, provocative musical RAGTIME

August 18, 2016  

Contact: Seena Hodges seena@latteda.org 612-767-5646 office

Theater Latté Da opens Season 19 with McNally, Flaherty, and Ahrens’ epic, provocative musical RAGTIME

 Based on E.L. Doctorow’s gripping novel, RAGTIME follows the lives of three American families through the promise-filled and volatile early 20th century.

 RAGTIME features Sasha Andreev as Tateh, David Murray as Coalhouse Walker, Jr., Britta Ollmann as Mother, and Traci Allen Shannon as Sarah.

 CLICK HERE FOR PHOTOS

 Performances begin September 21 at the Ritz Theater. Single tickets and season subscriptions are on sale now at latteda.org or 612-339-3003. 

(Minneapolis/St. Paul) Theater Latté Da today announced casting for the epic, provocative musical RAGTIME. Nominated for 13 Tony Awards and winner of Best Book and Best Score, this deeply moving musical features a compelling book by Terrence McNally, and a glorious score by Stephen Flaherty and Lynn Ahrens. Theater Latté Da Artistic Director Peter Rothstein will direct with Resident Music Director Denise Prosek serving as music director. Performances begin September 21 at the Ritz Theater (345 13^th Avenue NE in Minneapolis). Single tickets and full season subscriptions can be purchased at latteda.org or by calling 612-339-3003.

It’s the turn-of-the century, everything is changing and anything is possible. Based on E.L. Doctorow’s landmark novel, RAGTIME follows the lives of three American families and their communities through the promise-filled early 20th century. Set against the backdrop of the volatile melting pot of New York City,  the musical weaves together three distinct American stories—a determined Jewish immigrant father, a daring Harlem musician, and a stifled woman of privilege—united by their courage, compassion, and belief in a better tomorrow. Together they confront what it means to be an American at the dawn of a new century.

On the musical Rothstein offers, “Ragtime is as relevant as ever in its provocative explanation of race, class, gender, and immigration. This musical goes right to the heart of how we define ourselves as a nation in terms of who we are and what we wish to become.” He continues, “Doctorow’s poignant story is enhanced by Ahrens and Flaherty’s glorious score—one of the most sophisticated and lush in all of musical theater.”

Rothstein has assembled a dynamic, pitch-perfect cast to bring to life the stories of three families from different ethnic and economic strata. Several Theater Latté Da favorites, and some exciting new faces, are set to appear in this vibrant musical. The production features Sasha Andreev (Theater Latté Da: Steerage Song) as the entrepreneurial widower Tateh; Debra Berger in her Theater Latté Da debut as the rabble-rousing Emma Goldman; Daniel Hines in his Theater Latté Da debut as the rigid Father; Emily Jansen (Theater Latté Da: GYPSY) as the Vaudeville star Evelyn Nesbit; Riley McNutt (Theater Latté Da: ALL IS CALM) as the impassioned trailblazer Younger Brother; David Murray in his Theater Latté Da debut as the daring Coalhouse Walker; Britta Ollmann (Theater Latté Da: Violet, Into the Woods) as the kindhearted Mother; James Ramlet (Theater Latté Da: Sweeney Todd: The Demon Barber of Fleet Street, ALL IS CALM, and C. ) as the no-nonsense Grandfather; Andre Shoals (Theater Latté Da: AIDA) as the lauded historical figure Booker T. Washington; and Traci Allen Shannon in her Theater Latté Da debut as the determined young mother Sarah. Soren Miller and Georgia Blando make their Theater Latté Da debuts as Little Boy and Little Girl, respectively.

RAGTIME also features choreography by Kelli Foster Warder, costume design by Trevor Bowen, scenic design by Michael Hoover, and lighting design by Mary Shabatura.

Theater Latté Da is an award-winning Twin Cities musical theater company that combines music and story to illuminate the breadth and depth of the human experience. The company seeks to create new connections between story, music, artists, and audience by exploring and expanding the art of musical theater.  latteda.org

FACT SHEET:

RAGTIME

Book by Terrence McNally Music by Stephen Flaherty Lyrics by Lynn Ahrens Based on the novel “Ragtime” by E. L. Doctorow Directed by Peter Rothstein Music Direction by Denise Prosek Choreography by Kelli Foster Warder

Featuring: Sasha Andreev, Debra Berger, Daniel Hines, Emily Jansen, Riley McNutt, David Murray, Britta Ollmann, James Ramlet, Andre Shoals, Traci Allen Shannon, Soren Miller, and Georgia Blando.

Dates: Wednesday, September 21 – Sunday, October 23, 2016

Venue: Ritz Theater (345 13th Avenue NE, Minneapolis MN 55413)

It's the turn-of-the-century, everything is changing and anything is possible. Based on E.L. Doctorow's landmark novel, Ragtime is set in the volatile melting pot of New York City. Three distinct American stories are woven together—a determined Jewish immigrant, a daring Harlem musician, and a stifled woman of privilege united by their courage, compassion and belief in a better tomorrow. Together they confront what it means to be an American at the dawn of a new century. With a compelling book by Terrence McNally and a glorious score by Stephen Flaherty and Lynn Ahrens, Ragtime was nominated for 13 Tony Awards and was awarded Best Book and Best Score.

Performance Dates and Times:

Wednesday, September 21 at 7:30 PM (Preview)

Thursday, September 22 at 7:30 PM (Preview)

Friday, September 23 at 7:30 PM (Preview)

Saturday, September 24 at 7:30 PM (Opening Night)

Sunday, September 25 at 2:00 PM (Post-Show Discussion)

Wednesday, September 28 at 7:30 PM (Post-Show Discussion)

Thursday, September 29 at 7:30 PM (Post-Show Discussion)

Friday, September 30 at 7:30 PM

Saturday, October 1 at 7:30 PM

Sunday, October 2 at 2:00 PM (Post-Show Discussion)

Sunday, October 2 at 7:00 PM

Wednesday, October 5 at 7:30 PM (Post-Show Discussion)

Thursday, October 6 at 7:30 PM (Post-Show Discussion; ASL/AD)

Friday, October 7 at 7:30 PM

Saturday, October 8 at 7:30 PM

Sunday, October 9 at 2:00 PM (Post-Show Discussion)

Sunday, October 9 at 7:00 PM

Wednesday, October 12 at 7:30 PM (Post-Show Discussion)

Thursday, October 13 at 7:30 PM (Post-Show Discussion)

Friday, October 14 at 7:30 PM

Saturday, October 15 at 7:30 PM

Sunday, October 16 at 2:00 PM (Post-Show Discussion)

Sunday, October 16 at 7:00 PM

Wednesday, October 19 at 7:30 PM (Post-Show Discussion)

Thursday, October 20 at 7:30 PM (Post-Show Discussion)

Friday, October 21 at 7:30 PM

Saturday, October 22 at 7:30 PM

Sunday, October 23 at 2:00 PM

Sunday, October 23 at 7:00 PM

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Theatre Latté Da Announces 2016-17 Season

American Theatre EditorsAmerican Theatre

June 14, 2016

MINNEAPOLIS: Theatre Latté Da has announced its 2016-17 season, featuring dramas, musicals, and a festival of new work.

The season will begin with Ragtime (Sept. 21-Oct. 23), with a book by Terrence McNally, music by Stephen Flaherty, and lyrics by Lynn Ahrens. Based on the novel by E.L. Dotorow, the musical follows three very different Americans living in New York City at the turn of the century. The cast will feature Sasha Andreev, David Murray, Britta Ollmann, and Traci Allen Shannon. Denise Prosek will provide music direction, Kelli Foster Warder will choreograph, and artistic director Peter Rothstein will direct.

Next up will be A Christmas Carole Petersen (Nov. 30-Dec. 23), by Tod Petersen and Peter Rothstein, a holiday comedy inspired by Petersen’s real-life family in Mankato, Minn. Prosek will provide music direction, and Rothstein will direct.

Also for the holiday season will be Rothstein’s All is Calm: The Christmas Truce of 1914 (Dec. 15-18), with musical arrangements by Erick Lichte and Timothy C. Takach, about the historic time when Allied and German soldiers laid down their arms to celebrate the holiday together. The cast will feature Michael Gruber, Jim Ramlet, Evan Tyler Wilson, and Max Wojtanowicz. Lichte will provide music direction, and Rothstein will direct.

The season will continue with Peter and the Starcatcher (Feb. 1-26, 2017), with a book by Rick Elice, music by Wayne Barker. The story, based on the novel by Dave Barry and Ridley Pearson, is about how a Victorian street urchin ultimately became known as Peter Pan. Tyler Michaels and Robert Berdahl will star. Prosek will provide music direction, Carl Flink will choreograph, and Joel Sass will direct.

John Guare’s Six Degrees of Separation (March 8-April 9, 2017) will conclude the season. The play follows a young black man who convinces a wealthy couple in New York that he is the son of Sidney Poitier. Mark Benninghofen and Sally Wingert will star, and Rothsetin will direct.

Also part of the programming will be the NEXT Festival (Spring 2017), featuring public performances of three new musicals followed by in-depth conversations with the playwrights, composers, and lyricists.

Theatre Latté Da, founded in 1988, produces works that combine both music and storytelling.

Latté Da's new season to open with 'Ragtime'

Pamela EspelandMinnPost

June 14, 2016

Theater Latté Da had a stellar 2015-16 season that included the smash hit “Sweeney Todd,” a terrific “Gypsy,” a new “All Is Calm” and the world premiere “C,” based on “Cyrano de Bergerac.” The season before, the theater’s 17th, was wildly successful. Expectations ran hot for the 2016-17 season announcement Monday evening at the Ritz (which Latté Da is in process of buying; it’s still working out the purchase agreement).

Two words: Looking good. Eight shows include three Broadway musicals, the return of an old favorite, the 10th anniversary of a holiday classic and three yet-to-be-named musicals in Latté Da’s NEXT Festival, because creating new musicals is as important as presenting proven ones.

Season 19 begins with “Ragtime” by Terrence McNally, Stephen Flaherty and Lynn Ahrens, based on the novel by E.L. Doctorow, nominated for 13 Tonys and winner of two. Peter Rothstein directs a cast including Sasha Andreev (“Steerage Song”) and Britta Ollmann (“Into the Woods”). David Murray and Traci Allen Shannon, an acting company member at the Children’s Theatre Company, make their Latté Da debuts. Sept. 21-Oct. 23 at the Ritz.

Back after a seven-year hiatus: “A Christmas Carole Petersen” by Tod Petersen and Rothstein, built on Petersen’s tales of Christmas with his family in Mankato. Nov. 30-Dec. 23 at the Ritz. “All Is Calm: The Christmas Truce of 1914”turns 10 this year. Written and directed by Rothstein, with Cantus’ founding Artistic Director Erick Lichte as music director, it has a short run at the Pantages: Dec. 15-18.

Tyler Michaels was born to play the emcee in “Cabaret” (which he did, for Latté Da), born to play Puck in “A Midsummer Night’s Dream” (Guthrie), born to play Peter Pan in “Peter Pan the Musical” (Children’s Theatre). He’s Peter again in Latté Da’s take on “Peter and the Starcatcher,” winner of five Tonys. Black Label Movement’s Carl Flink (“Sweeney Todd”) is choreographer, and Joel Sass makes his Latté Da directing debut. Feb. 1-26, 2017, at the Ritz.

Spring brings John Guare’s “Six Degrees of Separation.” Rothstein directs a cast that includes Mark Benninghofen and Sally Wingert, last seen together in “Sweeney Todd.” March 8-April 9 at the Ritz. The NEXT Festival, formerly NEXT 20/20, will end the season with three new works TBA.

Season subscriptions are on sale now.

Wait just one minute. Where’s “Sweeney Todd” at the Pantages in March, previously announced as part of Hennepin Theatre Trust’s Broadway Re-Imagined series? Here’s the official word from Latté Da:  “In working to produce the remount, the project encountered a series of challenges. Both arts organizations decided that it would be best not to move forward with the production at this time. We are disappointed; however, we both remain enthusiastic about future partnerships.” More on that when we know.

Theater Latte Da’s new season returns with old faves

Chris HewittSt. Paul Pioneer Press

June 13, 2016

Enjoyed the performers you’ve seen on stage at Theater Latte Da in the last couple of seasons? You’re in luck, because many of them are back for the just-announced 2016-17 season.

Sally Wingert and Mark Benninghofen, who appeared in Latte Da’s smash “Sweeney Todd” last year, were expected to be in a remount of that production that “encountered a series of challenges” and has been de-mounted. Instead, the actors will team in a production of John Guare’s bittersweet “Six Degrees of Separation.” Wingert appeared in a Guthrie Theater production of the play in 2003, in a different role.

Tyler Michaels, who was also in that “Sweeney Todd” as well as Latte Da’s “Cabaret” and “Gypsy,” will return in “Peter and the Starcatcher,” which re-imagines the tale of Peter Pan. He’ll play the title role opposite Robert Berdahl as villainous, Captain Hook-like Black Stache.

Traci Allen Shannon, David Murray and Sasha Andreev (who previously appeared in Latte Da’s “Steerage Song”) will lead the cast of “Ragtime” to open the season in September. And Latte Da will return three events: its Next Festival of new musical theater works, “All is Calm: The Christmas Truce of 1914” in collaboration with Hennepin Theatre Trust, and Tod Peterson in the wry holiday show, “A Christmas Carole Peterson.”

Season tickets are on sale and can be purchased, at 612-339-3003 or latteda.org, for the following shows (all are at Minneapolis’ Ritz Theater, with the exception of “All is Calm,” which is at the Pantages):

• “Ragtime,” Sept. 21-Oct. 23: Based on E.L. Doctorow’s beloved novel, the epic musical weaves together the stories of three families in the early years of the 20th century.
• “A Christmas Carole Peterson,” Nov. 30-Dec. 23: Tod Peterson (“Diary of a Wimpy Kid the Musical,” “Gypsy”) returns with his ode to the Mankato holidays of his youth.
• “All is Calm: The Christmas Truce of 1914,” Dec. 15-18: Either someone is peeling onions in the theater or Latte Da’s classic has returned to move audiences with the true, song-filled tale of the Christmas when Allied and German soldiers laid down their arms on the battlefield.
• “Peter and the Starcatcher,” Feb. 1-26: Led by Michaels and Berdahl, a small ensemble of actors takes on dozens of roles in a broadly comic prequel that tells how J.M. Barrie’s beloved characters got to “Peter Pan.”
• “Six Degrees of Separation,” March 8-April 9: The brilliant tragicomedy is about how the lives of a wealthy New York couple (Wingert, Benninghofen) are uprooted when they meet a young charmer who claims to be the son of Sidney Poitier. It’s not a musical but there are a lot of “Cats” jokes in the show (they’ll be fresh again, too, what with “Cats” re-opening on Broadway this summer) and there will be live musical underscoring.
• “Next Festival,” spring dates to be determined: Previous festivals have spawned such Latte Da shows as “C” and “Lullaby.”

Theater Latté Da announces a talent-packed line-up of adventurous musical theater for its 19th season

June 13, 2016  

Contact: Seena Hodges seena@latteda.org 612-767-5646 office

Theater Latté Da announces a talent-packed line-up of adventurous musical theater for its 19^th season

Featuring an epic Broadway musical; the long-awaited return of a holiday favorite; the tenth anniversary of an original holiday classic; a wildly imaginative musical comedy; and a riveting drama underscored with live music.

Highlights of the 2016-17 season include Traci Shannon and David Murray in their Theater Latté Da debuts in the roles of Sarah and Coalhouse Walker, Jr. in Ragtime; Tod Petersen’s triumphant return to his hilarious, autobiographical holiday favorite; local phenom Tyler Michaels as Peter, The Boy Who Would Not Grow Up, in Peter and the Starcatcher directed by award-winning director and scenic designer Joel Sass; and Mark Benninghofen and Sally Wingert reunite in a dramatic turn as Flan and Ouisa Kittredge in Six Degrees of Separation.

Season subscriptions are on sale now and can be purchased at latteda.org/subscribe or by calling 612-339-3003.

 (Minneapolis/St. Paul) On the heels of another highly successful season, Theater Latté Da today announced a talent-packed line-up of adventurous musical theater for its 19th season. The season features an epic Broadway musical, the long-awaited return of a holiday favorite, a wildly imaginative musical comedy, and a riveting drama underscored with music. The season also includes the tenth anniversary of the holiday classic All is Calm: The Christmas Truce of 1914 and The NEXT Festival, Theater Latté Da’s rigorous new work initiative committed to developing the next generation of the American Musical Theater. Season subscriptions are on sale now and can be purchased at latteda.org/subscribe or by calling 612-339-3003. All single tickets will be made available at a later date.

Season 19 begins with Terrence McNally, Stephen Flaherty, and Lynn Ahrens’ epic musical Ragtime. Based on E.L. Doctorow's landmark novel, Ragtime is set in the volatile melting pot of New York City. It's the turn-of-the-century, everything is changing and anything is possible. Three distinctly American stories are woven together—a determined Jewish immigrant, a daring Harlem musician, and a stifled woman of privilege united by their courage, compassion and belief in a better tomorrow. Together they confront what it means to be an American at the dawn of a new century. Nominated for 13 Tony Awards, the musical received awards for Best Book and Best Score.

Directed by Peter Rothstein, Ragtime features an extraordinarily talented cast. Sasha Andreev will play the role of the widower Tateh. Andreev previously appeared in the world premiere of Theater Latté Da’s Steerage Song and was most recently seen in the one-man show Buyer and Cellar at the New Century Theatre. Britta Ollmann will play the role of Mother. Ollmann was most recently seen as Cinderella in Theater Latté Da’s Into the Woods and was lauded for her performance as Sister Mary Robert in Sister Act at Chanhassen Dinner Theatres. Making their Theater Latté Da debuts are David Murray and Traci Allen Shannon in the roles of Coalhouse Walker, Jr. and Sarah. Murray was most recently seen as Flick in Yellow Tree Theatre’s production of Violet. Shannon is an acting company member at the Children’s Theatre Company having appeared in a myriad of productions including Cinderella, Lizzie Bright and the Buckminster Boy, Five Fingers of Funk, and Bud, Not Buddy.

Theater Latté Da Resident Music Director Denise Prosek and Choreographer Kelli Foster Warder, who served as Assistant Choreographer on Cabaret and OLIVER!, join Rothstein as members of the creative team. Rothstein offers, “Ragtime is as timely and relevant as ever; it explores how we define ourselves as a nation in terms of who we are and what we wish to become.” He continues, “Doctorow’s poignant story is enhanced by Ahrens and Flaherty’s glorious score—one of the most sophisticated and lush in all of musical theater.”

TIME magazine calls Ragtime, “A triumph for the stage.”  Ragtime is in performance September 21 – October 23, 2016 at the Ritz Theater (345 13^th Avenue NE, Minneapolis MN 55413).

The second production in the season is the long-awaited return of the hilarious and charming A Christmas Carole Petersen by Tod Petersen and Peter Rothstein. The celebrated holiday comedy returns after a seven-year hiatus. There's no denying the power of the holidays to bring out the best and worst in all of us. Acclaimed storyteller Tod Petersen reflects on the yuletide season with his family in Mankato, Minnesota, and pays particular tribute to the show's namesake—his mother Carole.

Peter Rothstein directs with Denise Prosek as musical director. On the return of the piece, Petersen offers, “I'm very excited to give A Christmas Carole Petersen another run. In the seven years since we last performed it, I've never stopped hearing people say they wish it would return because it was such a big part of their holiday tradition. I am just happy to share my stories and hopefully bring some laughs, music, and memories to Theater Latté Da audiences—old and new!”

The St. Paul Pioneer Press calls A Christmas Carole Petersen "a stunning triumph!” The production is in performance November 30 – December 23, 2016 at the Ritz Theater (345 13^th Avenue NE, Minneapolis MN 55413).

The third production in the season is Rick Elice and Wayne Barker’s wildly imaginative play with music Peter and the Starcatcher—a daring Peter Pan prequel for grown-ups. Based on the bestselling novel by Dave Barry and Ridley Pearson, this fantastical comedy explores how a Victorian street urchin ultimately becomes The Boy Who Would Not Grow Up.

Award-winning Director and Scenic Designer Joel Sass helms this story of unbreakable friendship that places child-like wonder at the heart of grown-up theater. Featuring nine actors portraying more than 100 unforgettable characters, Peter and the Starcatcher uses ingenious stagecraft and the limitless possibilities of imagination to bring the story to life.

Twin Cities and Theater Latté Da favorite Tyler Michaels takes on the role of Peter Pan. Michaels is best known for his turn as the Emcee in Theater Latté Da and Hennepin Theatre Trust’s lauded production of Cabaret and for his work as the sweet-faced, unwitting accomplice Toby in last season’s production of Sweeney Todd: The Demon Barber of Fleet Street.  The production also features music direction by Denise Prosek and choreography by Black Label Movement Artistic Director Carl Flink.  On this production Rothstein offers, “I’m thrilled to have my longtime friend and colleague Joel Sass direct his first show for Theater Latté Da. His fierce imagination is a perfect match for Elice and Barker’s highly theatrical, whimsical voyage.”

Winner of five Tony Awards, Peter and the Starcatcher is a theatrical tour de force. Entertainment Weekly calls the musical "an absurdly funny fantastical journey." Peter and the Starcatcher is in performance February 1 – February 26, 2017, at the Ritz Theater (345 13th Avenue NE, Minneapolis MN 55413).

The final production in the mainstage season is John Guare’s biting, tragicomedy Six Degrees of Separation. Peter Rothstein directs a stellar cast of actors and musicians who inhabit and underscore Guare’s riveting drama.

Paul, a young black man, convinces Flan and Ouisa Kittredge—part of the New York elite—into thinking he is the son of Sidney Poitier. Enraptured by his intellect and charm, the couple invite him to stay the night. However, Paul's ruse is soon undone leading to discoveries which leave them all forever changed. Nominated for four Tony awards, Six Degrees of Separation is a singular tragicomedy on race, class and manners. Inspired by the real-life con artist David Hampton, this witty and sincere social commentary wrestles with the human desire for meaningful connection.

Twin Cities’ favorites Mark Benninghofen and Sally Wingert team up once again to take on the dynamic roles of Flan and Ouisa Kittredge. Benninghofen and Wingert are known to audiences for their delicious roles of the vengeful barber Sweeney Todd and the resourceful pie shop proprietress Mrs. Lovett in last season’s production of Sweeney Todd. Wingert previously appeared with the company as the caustic, no-nonsense Maria Callas in the critically acclaimed production of Terrence McNally’s Master Class. Rothstein offers, “I cannot wait to join forces once again with powerhouses Mark Benninghofen and Sally Wingert—and on Six Degrees of Separation, no less. It’s my absolute favorite American plays.” He continues, “Having the actors provide live musical underscore to Guare’s genius play will offer audiences a truly unique theater-going experience.”

The New York Times calls Six Degrees of Separation, "a hilarious and searing panorama of urban America in precisely our time." This drama underscored with music is in performance March 8- April 9, 2017 at the Ritz Theater (345 13th Avenue NE, Minneapolis MN 55413)

Subscribers can add-on two offerings in the 2016-17 season.  All is Calm: The Christmas Truce of 1914 and the NEXT Festival.

This season, Theater Latté Da and Hennepin Theatre Trust have been working toward a remount of Theater Latté Da’s 2015 critically-acclaimed production of Sweeney Todd: The Demon Barber of Fleet Street. In working to produce the remount, the project encountered a series of challenges. Both arts organizations decided that it would be best not to move forward with the production at this time. We are disappointed; however, we both remain enthusiastic about future partnerships.

To that end, Theater Latté Da has again partnered with Hennepin Theatre Trust to present the tenth anniversary production of the classic holiday favorite All is Calm: The Christmas Truce of 1914 by Peter Rothstein. This moving piece recreates an astounding moment in history when Allied and German soldiers laid down their arms to celebrate the holiday together by trading carols, sharing food and drink, playing soccer and burying the dead. This dramatic re-telling contains poetry, diary entries, war documents and letters written by thirty World War I figures brought to life by 12 actor/singers. The historic documents are interspersed with iconic World War I songs and European carols, exquisitely arranged by Erick Lichte and Timothy C. Takach. Lichte, who was founding artistic director of the vocal ensemble Cantus, returns to the Twin Cities to serve as music director for this production. The production features the talents of Michael Gruber, Jim Ramlet, Evan Tyler Wilson, and Max Wojtanowicz.

Critics have called All is Calm “A dramatic, real-life musing about the power this season has to make us stop, reflect, and decide to operate in a mode of peace” and “A work of beauty...not only an outstanding piece of musical theater, but a brilliantly executed production that understands that its power comes from its simplicity.” Performances of All is Calm begin December 15 and continue through the 18 at the Pantages Theatre (710 Hennepin Avenue Minneapolis, MN).

Season 19 concludes with the fifth year of the NEXT Festival. The Festival is Theater Latté Da’s investment in the future of the great American Musical and its playwrights, composers and lyricists. Rothstein notes, “I believe audiences can play a vital role in the development process and our NEXT Festival provides them the unique opportunity to get in on the ground floor of the creative process.” Past projects include: Lullaby by Michael Elyanow; C. by Bradley Greenwald and Robert Elhai; The Illyria Project by Jackson Doran and Postell Pringle; The Last Queen of Canaan by Harrison David Rivers, Jacob Yandura, and Rebecca Melocik; and Stu for Silverton by Peter Duchan, Breedlove, and Will Reynolds. Staged readings of the new musicals will be performed in Spring 2017. Show titles and venues will be announced at a later date.

Theater Latté Da is an award-winning Twin Cities musical theater company that combines music and story to illuminate the breadth and depth of the human experience. The company seeks to create new connections between story, music, artists and audience by exploring and expanding the art of musical theater.  latteda.org

Season at-a-Glance:

Ragtime

Book by Terrence McNally Music by Stephen Flaherty Lyrics by Lynn Ahrens Based on the novel “Ragtime” by E. L. Doctorow Directed by Peter Rothstein Music Direction by Denise Prosek Choreography by Kelli Foster Warder

Featuring: Sasha Andreev, David Murray, Britta Ollmann, and Traci Allen Shannon

Performance Dates: September 21 – October 23, 2016

Venue: Ritz Theater (345 13^th Avenue NE, Minneapolis MN 55413)

It's the turn-of-the-century, everything is changing and anything is possible. Based on E.L. Doctorow's landmark novel, Ragtime is set in the volatile melting pot of New York City. Three distinctly American stories are woven together—a determined Jewish immigrant, a daring Harlem musician, and a stifled woman of privilege united by their courage, compassion and belief in a better tomorrow. Together they confront what it means to be an American at the dawn of a new century. With a compelling book by Terrence McNally and a glorious score by Stephen Flaherty and Lynn Ahrens, Ragtime was nominated for 13 Tony Awards and was awarded Best Book and Best Score.

A Christmas Carole Petersen

Written by Tod Petersen and Peter Rothstein Directed by Peter Rothstein Music Direction by Denise Prosek Featuring: Tod Petersen

Performance Dates: November 30 – December 23, 2016 Venue: Ritz Theater (345 13^th Avenue NE, Minneapolis MN 55413)

Carole's back, and she's ready to deck the halls! The celebrated holiday comedy returns after an eight-year hiatus. There's no denying the power of the holidays to bring out the best and worst in all of us. Acclaimed storyteller Tod Petersen reflects on the yuletide season with his family in Mankato, Minnesota, and pays particular tribute to the show's namesake—his mother Carole. Join us for the long-awaited return of this hilarious and heartwarming Theater Latté Da original.

All is Calm: The Christmas Truce of 1914

Written by Peter Rothstein Musical Arrangements by Erick Lichte and Timothy C. Takach Directed by Peter Rothstein Music Direction by Erick Lichte

Featuring: Michael Gruber, Jim Ramlet, Evan Tyler Wilson, and Max Wojtanowicz.

Performance Dates: December 15 –  December 18, 2016 Venue: Pantages Theatre (710 Hennepin Ave, Minneapolis, MN 55402)

Don't miss the tenth anniversary of this award-winning, Theater Latté Da original that has been seen and heard around the globe. This moving work captures an astounding moment in history when Allied and German soldiers laid down their arms to celebrate the holiday together by trading carols, sharing food and drink, playing soccer and burying the dead. Poetry, diary entries, official war documents and letters home are woven together with iconic World War I songs, patriotic tunes and European Christmas carols to create a truly unique and profound theatrical event.

Peter and the Starcatcher

Written by Rick Elice Based on the Novel by Dave Barry and Ridley Pearson Music by Wayne Barker Directed by Joel Sass Music Direction by Denise Prosek

Choreography by Carl Flink

Featuring: Tyler Michaels and Robert Berdahl

Performance Dates: February 1 – February 26, 2017 Venue: Ritz Theater (345 13^th Avenue NE, Minneapolis MN 55413)

Let your imagination soar in this swashbuckling Peter Pan prequel for grown-ups. Based on the bestselling novel, this fantastical comedy explores how a Victorian street urchin ultimately becomes The Boy Who Would Not Grow Up. Follow the nameless orphan and his ambitious friend Molly as they protect the world from a greedy band of pirates. Winner of five Tony Awards, Peter and the Starcatcher is a theatrical tour de force! Award-winning director and scenic designer Joel Sass helms this wildly imaginative story of unbreakable friendship that places child-like wonder at the heart of grown-up theater.

Six Degrees of Separation

Written by John Guare Directed by Peter Rothstein

Featuring: Mark Benninghofen and Sally Wingert

Performance Dates: March 8 – April 9, 2017 Venue: Ritz Theater (345 13^th Avenue NE, Minneapolis MN 55413)

Peter Rothstein directs a stellar cast of actors and musicians who inhabit and underscore John Guare’s riveting drama. Paul, a young black man, convinces a wealthy New York couple Ouisa and Flan Kittredge into thinking he is the son of Sidney Poitier. Enraptured by his intellect and charm, the couple invite him to stay the night. However, Paul's ruse is soon undone leading to discoveries which leave them all forever changed. Nominated for four Tony awards, Six Degrees of Separation is a singular tragicomedy on race, class and manners. Inspired by the real-life con artist David Hampton, this witty and sincere social commentary wrestles with the human desire for meaningful connection. NEXT Festival

Performance Dates: Spring 2017 Venue: TBD 

NEXT is Theater Latté Da's New Work Festival showcasing three works that stretch the boundaries of musical storytelling. Each show in the Festival receives three public performances providing audience members the opportunity to “get in on the ground floor” of the creative process. Following each performance is an in-depth conversation with the playwrights, composers and lyricists. Be a part of Theater Latté Da's commitment to the next generation of the Great American Musical.

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Old favorites and five Minnesota premieres in Hennepin Theatre Trust’s 2016-17 Broadway on Hennepin season

Pamela EspelandMinnPost

January 29, 2016

“Wicked” returns. So do Roundabout Theatre’s Tony-winning “Cabaret” revival, and“Motown the Musical,” “Rent” and “Mama Mia!” But the 2016-17 Broadway on Hennepin season isn’t just about old favorites. Announced earlier this week by Hennepin Theatre Trust, it also includes five Minnesota premieres.

New to Minneapolis and the Orpheum stage will be “Fun Home,” winner of five 2015 Tony awards including Best Musical; “The Curious Incident of the Dog in the Night-Time,” the 2015 Tony-winning Best Play; and “Rodgers & Hammerstein’s The King and I,” the 2015 Tony winner for Best Revival of a Musical. The 2013 Tony winner“Matilda the Musical,” based on the book by Roald Dahl, will touch down, and “The Bodyguard,” based on the hit film starring Whitney Houston and Kevin Costner, filled with great songs (“I Will Always Love You”), will launch its North American tour here.

And – we are super excited about this –Theater Latté Da’s “Sweeney Todd: The Demon Barber of Fleet Street,” which was just about everybody’s favorite musical last year, will make an encore presentation at the Pantages as part of Broadway Re-Imagined, the fruitful collaboration between the Trust and Latté Da. (Up next: “Gypsy” at the Pantages in February.) Mark Benninghofen, Sally Wingert and Tyler Michaels will reprise their roles as the demon barber, the pie maker and the apprentice.

The season begins with “Cabaret” in October and ends with “Motown” in July 2017.Season packages are on sale now. Single tickets will be available at a later date.

As you stroll to the theater from the Green Line or wherever you park, take in our “urban walking gallery” – the once-vacant windows filled with art by local artists for “Made Here,”a project of Hennepin Theatre Trust that will continue for at least two more years. Last week Andersen Windows, the presenting sponsor since the project began in 2014, renewed its commitment, as did the McKnight Foundation (for artist support) and Best Buy (for a second Young Artists Edition).

We had hoped to see the brilliant young Swedish clarinetist Martin Fröst on stage with the St. Paul Chamber Orchestra in February and March. Sadly, it’s not to be. After canceling his debut as a new SPCO artistic partner last November due to Meniere’s Disease – a disorder of the inner ear that causes severe vertigo, sickness and tinnitus – Fröst has withdrawn from all upcoming engagements through the 2015-16 season.

The Feb. 26-28 and March 4-6 programs have been changed and new guest artists engaged. French pianist David Fray will make his Minnesota debut with Mozart’s Piano Concerto No. 24 in C minor in February. In March, violinist and SPCO audience favoriteGil Shaham will play Mendelssohn’s Violin Concerto in E minor. The SPCO’s website has been updated with all the details.

Fröst remains committed to his artistic partnership and looks forward to returning next season in good health.

In November, SPCO artistic partner Patricia Kopatchinskaja had to withdraw from a performance at the last minute due to an arm injury. She has since returned to the concert stage with tours throughout Europe this month, so we can expect her in April and June as planned.